Google

Showing posts with label jazz history. Show all posts
Showing posts with label jazz history. Show all posts

Tuesday, March 3, 2020

Jazz Keeps Unfolding in the Walls of My Heart

My hearts unfolds like a flower when I get the opportunity to experience the culture of jazz.





 I was squealing with delight at the idea of celebrating nature’s abundance of simple joys.  What was being celebrated?



Black history.

Jazz history.

The history of jazz dance.





The event was hosted by the Harlem Swing Dance Society and was held at the Pelham Fritz Recreational Center in Harlem, NY and featured me and my band, Stephanie Jeannot’s Savoy Four Band.


Please check out the mini clip of the event that was held here:



https://youtu.be/NmgnLuWKMBI

The ambiance was great there in that Harlem venue located at Mount Morris Park. The art on the walls gave an appeal that just melted my heart. 

I walked in and saw dancers dancing with an instructor teaching them a bit of jazz dance from its history at the Savoy Ballroom where the lindy hop was first introduced. I always enjoy these events because of the air of knowledge and jazz that I am able to breathe in while history is being shared until the band is ready to play the music to set the dancers up on a rhythmic fleet.

An eclectic array of standards was hoisted into the air met by the swinging dancers on the floor who met our sounds with energetic body movements. We played finger snapping rhythms, evocative classics, and modernized versions of antiquated songs. The instrumentalists did not shy away from improvising solos or showcasing their unique flavor which made it easy for me to be drawn in by their sounds to sing before the host of people rhythmically propelled to dance to the music. They danced to throbbing beats played by Napoleon Revels-Bey who approached the counter rhythms with brushes of purposeful soulfulness. They bopped to the thumping of the technical virtuosity of Hill Greene. They hammered their heels to the floor to the variety of tinkling sound played by pianist Danny Dalelio and I sang to the twists and turns of their music as the music gave a cultural salute to the sounds they played.

I was suddenly flooded with memories of earlier times when purveyors of the music would gather dressed to the nines to share their artistic expression. I thought of artists like Billie Holiday, Lena Horne, Sarah Vaughan, Ella Fitzgerald, Dizzy Gillespie, Thelonious Monk and Max Roach. Music was definitely their vehicle for improvisation whether it was playing, singing or dancing to it because music is all about self-expression and sharing.  They were always draped in the finest of threads and communicating to the audience with their hearts full of music. It was a fertile harmonic ground for joy to be sprung. It was the world’s most glamorous atmosphere and jazz history at its best. How could one not absorb the cultural influences and be inspired by those troubadours of yesteryear who made great triumphs with their music?

With each deep-throated growl, the onlookers danced and danced and danced. 

That day still remains imprisoned in the walls of my heart. I have a growing admiration for the culture of jazz which makes my heart skip a beat more and more each time I dabble into it. Music infuses me enthusiasm and makes me feel alive. And so, I have grown this insatiable hunger to listen and to learn and to sing and to dance and to just take in music as much as I can; because it is my first love and because I have a growing appetite for it. 

The more I sing, the more it calms my rage. Thankful for every musical opportunity and for the beautiful gift of song that God planted in me when he fearfully and wonderfully created me.

Monday, March 14, 2016

Ode to Lewis (Did you mean Louie? No! Louis!)

This poem is a dedication to one of the greatest influences in jazz history. 

Ode to Lewis 
(Did you mean Louie? No! Louis!)
by Stephanie Jeannot (c) 2016



Louis Armstrong’s horn was blasting the night away.

Communally! With the backdrop of the stage,

and he was singing lullabies

and I joined into the glories of jubilation time.

He was sketching compositions with his brass.

I burst into flames so fast I got whip lash.

Hot, fiery sounds coming at me like high tide in the afternoon

I mean, for all intents and purposes; 
culture runs through the body of his tunes.

Five stories down on the dancing streets folks heard him.

Their emotional tones were slightly altered when 
they give his melodies a swim.

And suddenly we all gained the power of the Amazons.

The onus of trying to move peeps worked; that shit was on!

Could you hear how he ornamented his character 
with them caterwauling cries?

With the grace of a jaguar, they took his music up for size.

I can’t believe I had to tell some 
to not abnegate from enjoying his cheeky calls.

But it didn’t take long before they started to 
own the air around them and into the buttery mix fall.

The waves of sound, they let move their feet as 
love flooded all up in their ears.

You could tell by the way everyone moved that there were 
no veils of silence in the atmosphere!

The greatest influence of music of all time, 
Satchel Mouth, was sparking up minds.


The blues he lived was being articulated and 
we took his expressions for a pulchritudinous ride.